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, by B. A. Shapiro
Download PDF , by B. A. Shapiro
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Product details
File Size: 1304 KB
Print Length: 352 pages
Publisher: Algonquin Books (October 16, 2018)
Publication Date: October 16, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B079VT937X
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Amazon Best Sellers Rank:
#29,366 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Since I absolutely love The Art Forger, I was looking forward to a similarly engaging story. While well written, the book’s main characters left me cold and disinterested in their development. Perhaps it was the author’s intention to portray them as disagreeable and manipulative; if so, she succeeded. It was hard slogging to finish the book because I really couldn’t care about what happened to the characters.
I loved The Art Forger and The Muralist. Her third novel fell short. The assembling, displaying and “looting†of the Impressionist and Post Impressionist paintings owned by Barnes should have served as an exciting backdrop for an art-focused historical fiction. Her insight into Matisse and what he and his peers were trying to achieve was well done. By Barnes was inadequately developed, and his relationships with his wife, chief of staff and the key patrons of the Philadelphia Museum of Art were disappointingly shallow.
This is the most interesting book I have read in a long time. Wonderful, complex reading for those interested in art, art history, aesthetics, the 1920s decade...the list goes on. Shapiro has a fine hand when it comes to the English language; she wields this admirable asset deftly and effectively. Example: Descriptive passages allowing the reader to visualize. She challenges the reader to keep up, and this is one of her many strengths. Example: Moving the story through time and space with ease and facility. The story includes many historical characters who speaks as they would have spoken. Warning: Do not start this book at bedtime. You won't be able to stop. I loved it.
I anxiously await books from B AShapiro after reading The Art Forger, which was so good! The Collectors Apprentice is not at the same level....I didn’t find the characters that interesting or appealing....they seemed very flat. The pacing seemed forced, all in the service of moving the story along but not particularly interesting. It maybe was a fine book but I started with higher expectations for it so was a bit disappointed.
I was disappointed in this book it was not nearly as captivating as her earlier books. I found the language too simplistic and the plot boring. And I usually love books about art and art history. This one I put aside half read
I love the premise of the novel, and the way fact and fiction are interwoven. Clearly, Shapiro did a lot of research. I am an artist so I did not have to look up any of the artworks. However, Shapiro used a lot of cliches and skimmed too quickly over some parts. I felt like her editors/publisher gave her a word limit and super tight deadline. I would much prefer to read a book that is twenty pages longer and have it go smoothly.
In an atypical afterword for an art history novel, Shapiro describes what is fact and what is invention in her story. Which shouldn't encourage us to read historical fiction as merely dramatized history.
I love the way this book mixed facts with fiction in the art world. It was a fast enjoyable read. As usual I am never disappointed with this author’s writing and look forward to her books.
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