Ebook Free The Dress Detective: A Practical Guide to Object-Based Research in Fashion

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The Dress Detective: A Practical Guide to Object-Based Research in Fashion

Ebook Free The Dress Detective: A Practical Guide to Object-Based Research in Fashion

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Review

“Detective work is integral to fashion history research, yet very little has been written on how to go about it. Ingrid Mida and Alexandra Kim fill that gap in the bookshelf with The Dress Detective. … A concise, well organized, and extremely accessible book that deserves a place on the bookshelf of anyone interested in fashion research.” ―The Fashion Historian“Both accessible and academic and a significant contribution to the study of [the history of Western dress] ... This book is well designed and a pleasure to look at. It functions as a practical manual, a 'how to' book, a reference work and an enjoyable read for anyone interested in this subject.” ―Costume“Enormously useful for the budding fashion historian or curator, this publication provides a textbook approach to the study of dress artefacts as a source for research. The authors, both of whom have curatorial backgrounds, provide a practice-based framework and a range of interesting case studies to instruct readers in the methods for observing and reflecting upon objects of dress. This accessible guide will surely become a crucial source for students of fashion studies.” ―Catwalk: The Journal of Fashion, Beauty and Style“For post-secondary students on fashion courses with access to study garments, or for the novice researcher investigating in a museum or private collection, this book would be an invaluable resource. Even individuals with experience in handling fashion objects may glean new tips, or be reminded of best practice when closely examining dress objects, or in relating these findings to broader socio-economic, historical, or theoretical contexts. This book would also be a useful addition to the shelf of fashion collections in museums, to assist when training staff and volunteers in collection inventory or exhibit preparation. The Dress Detective gives clear clues to becoming a sartorial sleuth.” ―Museum & Society“The Dress Detective provides an easy-to-use guide for how to look at a dress object and to consider its meaning. The framework, which the authors call “a slow approach to seeing,” involves three steps: observation, reflection, and interpretation. It is a revision of Prown's model of description, deduction, and speculation.” ―ITAA Online“For the first time, The Dress Detective offers a clear and systematic framework for the object-based study of dress. Advocating a 'Slow Approach to Seeing', it arms readers with the tools to learn this important research skill while encouraging them through well-chosen case studies to measure their findings against inter-disciplinary and theoretical writing on fashion.” ―Edwina Ehrman, Fashion Curator and Historian, UK“This is the book we have been waiting for without realizing it! The Dress Detective offers a rigorous and entirely accessible guide to examining and thinking about dress using objects as evidence. Case studies and checklists guide the reader – specialist and non-specialist alike – to explore and articulate garment construction, materials, design, alterations and the nuances of wear. I have no doubt it will become a seminal text.” ―Amy de la Haye, Joint Director of the Centre for Fashion Curation, London College of Fashion, UK“The Dress Detective is a smart, accessible text that provides a long-overdue methodology for examining clothing and accessories. This book is essential for new students, but its concise framework will also be useful to seasoned researchers. Diverse, thorough case studies demonstrate the combination of visual analysis, history, and theory that is crucial to fashion studies today.” ―Colleen Hill, Associate Curator, The Museum at FIT, New York, USA“A long–anticipated guide to object–based dress research … I recommend this outstanding volume to students and faculty alike.” ―The Journal of Dress History“This book operates as a kind of practical aid, offering a comprehensive methodological framework to both scholars and students.” ―Textile History

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About the Author

Ingrid Mida is a dress historian and curator. Responsible for the revival of the Ryerson Fashion Research Collection in Canada, Mida has written for various publications including Dress, Clothing Cultures, Costume Journal, Fashion Projects, Modeconnect, Worn, and Worn Through. Alexandra Kim is a dress historian and museum professional. Kim has worked at the Ashmolean, Chertsey Museum, and Buckinghamshire County Museum and was most recently a curator at Kensington Palace, UK. She now combines research and writing with her work as an editor of Costume, the journal of the UK Costume Society.

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Product details

Paperback: 224 pages

Publisher: Bloomsbury Visual Arts (January 24, 2019)

Language: English

ISBN-10: 1350087777

ISBN-13: 978-1350087774

Product Dimensions:

7.6 x 0.6 x 9.6 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#344,959 in Books (See Top 100 in Books)

What a gift to those of us who work with museum collections without detailed records of provenance. The case studies are instructive of the kind of well-rounded stories these garments can tell. The outline of questions to ask and data to collect is invaluable. Our city museum how has a way to interpret the collection!

Breaks down the process of analyzing a historic dress, and provides ample examples via case studies with detailed photos. Great for students in dress history, archeology, and museum studies.

work with historic costumes - helps to have little tricks and hints to identify clothes - very helpful.

Helpful and educational, even for an advanced sewer.

Great ideas for how to conduct research in material culture.

this is an intelligently written book - informative and a lot of fun. Highly recommend.

This is a very interesting read. I enjoy the premise and illustrations.

This seemed like a sort of diluted textbook. The photos are lovely, but there seems to be a lot missing in this description of how to study material culture.

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